Verdi: Rigoletto (2024/25)

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Konwitschny-Lee came up with an ingeniously simple yet highly effective idea: 

(...) The narrative unfolds fluently and with meticulous attention to detail.

- G.Helbig, Das Opernglas (1/2025) 

 

Seollyeon Konwitschny-Lee stages the opera with a refreshingly unpretentious and grounded touch.

Her directorial approach never lectures the audience—further proof of her artistry.

The production’s great strength lies in its embrace of ambiguity and its bold exposure of contradictions.

- M. Häfer, Nordkurier (25th November 2024)

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Udo Zimmermann: Weiße Rose (2016)

 

​"A Powerful and Lasting Impression"

The Augsburg production made such a profound impression on audiences thanks

in no small part to the intelligent and sensitive direction of the young Korean director Seollyeon Konwitschny.

- R. Jungwirth, BR-Klassik

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Mozart: Die verstellte Gärtnerin (2015)

 

“A delightful production with just the right amount of humour”

With just the right amount of humour, director Seollyeon Konwitschny approaches the work in the spirit of the Enlightenment. A wealth of lovingly crafted, vividly staged details makes the cheerful confusion feel every bit as sparkling and light as Mozart’s score.

- M.Wurmitzer, Der Standard

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